Sunday 21 June 2015

my article on Umer Marvi published in Heritage mag

aSerenade to a dead breed
By Shanaz Ramzi



      One often reads tales of passionate and everlasting love between a man and a woman. In most cases, these legendary couples are no more than mythical figures – creations of folk lore, greatly romanticised over time. But sometimes, these romances are based on real stories, and so amazing are they, and so seemingly fairytale-like the protagonists, that it becomes difficult to believe that such people actually existed. One such story is that of Umar Marvi.
   According to Sindhi history, Marvi was a young and beautiful girl living in a village called Bhalwa, close to Umerkot. Hired-hands at farms by profession, her family was poor, but Marvi was a happy soul who loved her life, her village, and the people all around her.
   As the story goes, an orphan boy, Phog, lived with Marvi’s family, and attracted by her beauty, wished to marry her. But, Marvi’s heart was already given to another – Khet, her handsome, young fiancé who lived in a neighbouring village, and reciprocated her feelings. Depressed at being rejected, Phog left for Umerkot to seek his fortune, and found employment with Umer Soomro. In those days, Sindh had its capital at Umerkot and was ruled by Umer Soomro who was renowned for his justice, as much as for his appreciation of beauty.  
   One day Umer Soomro learnt of Marvi’s great beauty from Phog and decided to see for himself if she was indeed, as exquisite as she was made out to be. So, disguised as an ordinary villager, he went to Marvi’s village, and came upon her as she was drawing water from a well for her goats. Needless to say, the minute Umer set eyes on Marvi, he was smitten by her beauty. He asked her for some water, and as she poured it into his palms, he stood transfixed, the water spilling through his fingers. The well still exists, and is now famous as ‘Marvi jo khooh’, in memory of the day that the ruler of Umerkot fell in love with the village girl, Marvi.
   Umer returned to his home and from there began to try and woo Marvi by sending her expensive gifts and jewels. However, she refused all his overtures, and he soon realized that he was making no headway with her. Finally, frustrated and no longer able to restrain himself, he forcibly abducted her from her village, and rode off with her on his camel to his palace in Umerkot.
   So how, one may well ask, is this tale any different from the countless ones we see in Indian films, and how is Umer any different from the many feudal lords who cannot take no for an answer? The difference lies in both Umer’s and Marvi’s characters. Umer kept Marvi with loving care, showering her with every imaginable comfort in the hope that she would appreciate him for who he was – a man head-over-heels in love with her. At no point did he try to force himself upon her, as he wanted to win her over through love and not coercion. There are few instances today, and indeed, in history, of men displaying the kind of honour, integrity and respect that Umer showed Marvi.
   Marvi, on the other hand, was as resolute as they come. She was steadfast in her refusal of all luxuries bestowed upon her; loyal to her fiancé, and yearned for her village and her simple, happy life. So depressed did she become at being separated from her beloved hometown that she refused to change her clothes even though they had become tattered, or wash her hair, lest she lost the lingering perfume of her village that remained on her person.   
   Finally, Umer realized that Marvi was a lost cause. Nothing he could do or get for her could take the place of what she had been made to leave behind. As this truth dawned on him, the rebuffed ruler gracefully accepted his defeat, covered her hair respectfully with a ‘chadar’, and let her return home. So rarely does one come across a man of Umer’s standing who is willing to take the kind of rejection he did, and eventually sacrifice the object of his love and desire, that the famous Sindhi poet, Shah Abdul Latif Bhitai, who has written poems narrating the famous love stories from Sindh and Punjab, such as Heer Ranjha and Sohni Mahiwal, made an exception in the title of the poem about Marvi and Umer, by placing the name of the male protagonist before the female one, as a tribute to such exemplary decency.
   But Marvi’s woes were not yet over. When she returned to her beloved village, she found that her chastity had been cast in doubt and she was being looked upon by one and all as a ravaged girl, who should be despised.
   When, try as she would, Marvi could not succeed in convincing everyone that she was as pure and untouched as she had been the day she had been picked up by Umer, she decided to take the ultimate test of integrity traditionally accepted by her people – walking on hot coals. The belief was that if a person was making an honest claim, nothing would happen to them even if they walked over burning coals, while if the claim was false, the soles of the feet would bear testimony to the lie by getting blisters.
   Marvi took the test and emerged unscathed, proving beyond doubt that she was every bit as chaste as she claimed to be, and that she had displayed exemplary loyalty and love for her people. Today, her name is as synonymous with commitment and love for one’s homeland, as Umer’s is for decency and true love.         

   

my article on Nisar Bazmi published in Heritage mag


The maestro lives on
By Shanaz Ramzi


   Speak to any Pakistani movie buff who watched and enjoyed local
movies from the fifties right through to the late seventies, and they are sure to rave to you about the music of the time. And while praising the ditties they are just as likely to mention the name of maestro Nisar Bazmi, who was responsible for immortalizing many a song.
   Born in 1924 in India, Bazmi had no musical background, hailing from a conservative family, but harboured a keen interest in music, which was recognized by one of his teachers. He managed to convince his father to send him to Bombay to learn music, and there he caught the attention of the prominent musician, Khan Saheb Aman Ali Khan who taught him music. Just 13 at the time, Bazmi quickly mastered the various ragas and musical instruments, taking all music lessons to heart.
   Launching his musical career in Bombay in 1937-38 as a playback
singer, Bazmi began his illustrious career with singing a couple of
songs for a small-time comedian called Mannan who appeared in action
movies. Almost simultaneously, Bazmi also became a casual singer on AIR
(All India Radio), Bombay, where he was paid Rs 15 per programme –
regarded as a substantial enough remuneration in those days.
  It was at AIR that Bazmi came in contact with Dinkar Rao, its chief
music director and orchestra arranger, who was also an accomplished
flautist. Rao took an instant liking to the budding singer and at his
behest the young Bazmi joined AIR in 1940 as a permanent staff artiste
for the princely salary of Rs 150 a month. Here began Bazmi’s informal
training and he started learning orchestra arrangements and
compositional techniques from Rao, who willingly shared his knowledge
and experience with his pupil.
   In 1944, Bazmi got his first independent assignment when he was asked to compose music for a musical play, ‘Nadir Shah Durrani’ for AIR. All the songs of the play became hits. So impressed was a film producer when he heard them that he immediately signed Bazmi for his next film ‘Jamna Paar’ which was released in 1946. From then, till 1962 when Bazmi migrated to Pakistan, he had composed music for 28 released movies -- there was also a substantial number that was released after his migration. Although most of them were low-budget films, he had the opportunity to work with some big names of Bollywood such as Aasha Bhosle, Laxmikant-Pyarelal and Anand Bakshi.
   However, it was after he came to Pakistan that Bazmi came into his own. The first film he recorded songs for was ‘Aisa Bhi Hota Hai’ produced by Fazal Ahmed Karim Fazli, who also wrote the songs for the film. Three songs of this movie, two of which were sung by Noor Jehan, one as a solo and the other as a duet with Ahmed Rushdi – ‘Ho tamana aur kya’ and ‘Mohabbat mein tere sar ki qasam aisa bhi hota hai’ respectively – became so popular even before the movie’s release that Bazmi was flooded with offers. The third song, ‘Tukra woh chand ka’ was sung by Ahmed Rushdi.
   Thanks to the hit songs of ‘Aisa Bhi Hota Hai’, he signed many movies including ‘Head Constable’ released in 1964 – prior to the release of ‘Aisa Bhi Hota Hai’ -- featuring some more hit songs. By now his credentials as a competent music director at ease in both composing and orchestrating songs – a rare quality in Pakistan in those days -- were firmly established. There was no looking back for Bazmi, and films after films went on scaling new heights, especially for his music.
   His musical score in movies like ‘Aadil’, ’Lakhon Mein Aik’ – all songs were hit including the Noor Jehan, Mujeeb Alam duet, ‘Saathi kahan ho’ – ‘Aag’, ‘Saiqa’, ‘Aasra’, ‘Jesay Jante Naheen’, ‘Andaleeb’ – all hit songs, especially ‘Kutch log rooth kar bhi crooned by Noor Jehan – ‘Shama Parwana’, ‘Anjuman’ -- all songs immensely popular – ’Tehzeeb’ – Noor Jehan’s ‘Laga hai Misr ka bazaar’ a particularly haunting number – ‘Umrao Jan Ada’ – every song an unforgettable one – ‘Mohabbat’, ’Anmol’, ‘Naag Muni’ -- all hit songs, especially Noor Jehan’s ‘Tun toh pai waron, man toh pai waron’ –  to name only a few, bear ample proof of his deep understanding of poetry, sense of orchestration and command on melody.
   From 1964 to 1978, Nisar Bazmi was one of the most sought after music directors of the Lahore film industry. He won a Nigar Award for best composer for the film ‘Saiqa’ in 1968; for ‘Anjuman’ in 1970; for ‘Meri Zindagi Hai Naghma’ in 1972 and for ‘Khaak Aur Khoon’ in 1979. He
composed many hit songs for Runa Laila, Ahmed Rushdi, Mehdi Hassan,
Masood Rana and Noor Jehan. About the latter he is known to have
said “She was the best vocalist Pakistan ever had.” He was also
responsible for introducing Alamgir to film music – remember, ‘Hum chale toh humaray’ from film ‘Jagir’?
   Apart from many superb scores for films Bazmi also gave the country a large number of patriotic songs like ‘Yeh watan tumhara hai’ sung by Mehdi Hassan; ‘Khayal rakhna’ crooned by Alamgir and Benjamin Sisters, and ‘Hum zinda qaum hain’ sung by Tehseen Javed, Amjad Hussain and Benjamin Sisters, which are remembered to date. The maestro has also been bestowed the ‘Pride of Performance’ award by the government of Pakistan.
   However, sadly, by 1981 due to the change of trend in film music and the declining popularity of cinema, not to mention his disenchantment with the industry, Bazmi scored his last film music in Lahore for ‘Mere Apne’. He then moved to Karachi where he made it his mission to teach music to young aspirants, and scored music for just one film in 1985 – ‘Hum Aik Hain’ – which also bagged him a Nigar Award for best composer in 1986. He remained out of the limelight for almost 11 years after that, agreeing only to compose music for all seven songs in Nadeem
Mandviwalla’s ‘Very Good Duniya, Very Bad Log’, after a gap from the
world of film music for more than a decade.
   With more than half a century spent as a highly respected music composer, and a hundred films to his credit including the ones he did in India, not to speak of the numerous people he imparted valuable music lessons to, Nisar Bazmi passed away on March 22, 2007, leaving behind a world much poorer for his absence.     
     
   

My article on a flourishing wedding industry published in Dawn a couple of years ago

A flourishing wedding industry
By Shanaz Ramzi


   Marriages have featured as the most important event in a person’s life in practically all civilized cultures, since time immemorial. In our part of the world, especially, wedding ceremonies have always tended to be elaborate affairs spreading over quite a few days and involving at least three to four formal occasions. Regardless of whether a person can or cannot afford to indulge in the festivities and celebrations associated with marriages, the prime concern has invariably been to put up the best show possible.
   But, when one compares the grandeur of today’s weddings to that of the finest of those of yesteryear, one finds that they are far removed from anything witnessed before in terms of conceptualization and execution. And, although admittedly, such weddings are confined to the moneyed classes, the trend is fast catching on so that even middle-income groups are now coming up with economical ways of introducing imaginative touches to wedding festivities.
   But, for those who have no budget constraints, or at any rate have
greater financial leeway than most, weddings have become nothing short of dream sequences from Hollywood or Bollywood blockbusters. In fact, many prospective couples actually model their entire wedding receptions on the lines of weddings picturised in popular movies. And to make all this possible and in fact, choreograph the wedding from start to finish are wedding planners, who take on most of the responsibilities of the wedding household, so that all that is required of the bridal party is to look fresh and welcoming when receiving their guests.
   In fact, Meinu Baigmohamad, Aayesha Valika and Yumna Ali Khan, three
friends who have teamed up as wedding planners and are highly popular, claim they even see to the arrangements inside the wedding household, so that the decoration of banisters, lighting, etc. is all taken care of by them! So involved do they become with their clients from the start -- from designing exclusive wedding invitation cards to suggesting where to sit, how to make an entry and which photographer to use -- that it becomes almost like a family affair for them. Sometimes, the trio even guides the bride as to what combination she should wear at the wedding.
  Yasmeen Katchi, who has been decorating stages for weddings for over
two decades and has over the years, become a full-fledged wedding planner, admits “Of late, wedding decor and management has developed into an industry.” Not surprisingly, the options today, are tremendous. These days, clients have the choice of either getting the entire wedding professionally planned; or just some aspects of it, such as stages or flower arrangements, giveaways or ‘mehndi thaals’ handed over to wedding planners.
   While on the subject of stages, always an important aspect of local weddings, today, according to some wedding planners, they could cost a minimum of Rs 10,000 for basic decor, although if one wishes to spend less than that, one could do it by opting for just floral arrangements for the scaffold. Expensive stage settings include backdrop, props, carpet, furniture and myriads of fresh flowers – one can choose local or imported depending on how much one wants to spend. Some people go all out and even have landscaped stages with waterfalls and simulated garden scenarios. Needless to say, the more elaborate the stage, the more the expenses.
   Anisa Khan, another wedding planner claims that she can detect the
difference in people’s tastes over the course of the last eight to ten years. Almost a decade ago, she feels, the demand was for relatively simple stages. “However, over the years, the trend has become to compete with balls and every couple wants their wedding to look different and more striking than any other.”
   Concurring with the view that not just stages but weddings have become very glamorous and elaborate affairs in the last few years Baigmohamad says “So stylish have weddings become today that more and more people are using the services of wedding planners to organize their events. They want sit down affairs, complete with round tables and fancy linen. There is a lot of stress on coordinated stages, entrances, ‘takhts’ and marquees.”  
   According to Khan, these days an average reception package for about 500 guests, which includes floral arrangements, a decorated stage, about 100 to 150 candles, giveaways, table-setting with napkin rings, ribbons around the glasses and fabric on chairs, costs over a hundred thousand rupees. So nowadays, when planning a grand wedding, in addition to all the trousseau expenses, one has to be prepared to keep aside a substantial sum as ‘style’ expenses.
     So grand have weddings become, in fact, that all occasions now tend to have themes. Often, the bridal outfit becomes the basis of the theme of the wedding ceremonies. Hence, if the reception attire is Eastern, then an ethnic or Mughal theme prevails for which ‘bara
daris’, ‘jharokas’, and ‘dyas’ lining the length of the pathway leading
up to the stage could be used. Non-traditional weddings have varied
themes, such as a black backdrop with stars on them, simulating a galaxy, or a gazebo to give a modern, dramatic touch. Similarly, ‘mehndis’ could have an ‘ajrak’, ‘chundri’ or ‘jamawar’ theme.      
   Recently, among the most stylish wedding organised by wedding planners was a Rajasthani mehndi, complete with a procession of
camel carts laden with ‘mehndi’ and professional Thari dancers! Another opulent wedding entailed a Greek reception. Decorated with golden organza curtains boasting a typically Grecian print, and complemented by stone urns, candelabra and green heart-shaped wreaths hanging on gold organza backed chairs, the event transported guests to another country altogether, if not another time zone.
   To assist wedding planners in organizing such grandiose functions are a host of other businesses, both big and small that have acquired new dimensions and professionalism that were missing say, a decade ago. Their services can also be hired individually by people who don’t want to spend mullah on wedding planners, and want to deal with them directly. Among these are the ubiquitous ‘phoolwalas’, who now not only provide flowers for all occasions, they are equipped to do stage décor and ambience décor all on their own – of course with the necessary guidelines provided by the clients -- that can leave one convinced that there is an event manager behind the affair.
   With ‘mehndis’ now becoming as important as the wedding day itself, an entire cottage industry has developed with people specifically catering to ‘mehndi’ accessories. ‘Mehndi thaals’, ‘mashals’ for girls and boys to hold, bridal canopy, ‘doli’, dowry boxes, baskets, giveaways and mirrored trays are a few of the items that are offered for purchase either indirectly through wedding planners, or directly by those involved in their production. Some wedding planners also rent out decoration items such as ‘rangolis’, candle stands and ‘jamawar’ partitions. Even boys can be hired to carry the ‘doli’ seating the bride!
   Women operating from the house have also joined the bandwagon, and
keeping in mind the latest trends, create wedding accessories for
purchase, as well as take orders. A case in point is Shamim Munir who
operates through her home under the name of Home Decor. She
supplies ‘mehndi’ platters, complete with sweet meats, flower bracelets
and henna. She also makes trousseau or dowry containers and quaint boxes for distributing ‘mithai’. Naheed Ansari is yet another enterprising lady who does entire ‘mehndi thaals’, giveaways, fruit baskets, and gift wrapping for in-laws.
   Another business that has become equipped as never before, to meet the changing and growing demands of clients, particularly for weddings, is that of catering. While once caterers merely provided food; tents; basic tables and chairs; crockery and cutlery; today you can have your pick of ambience decors, which include different colours and textures of marquees, carpets, lounges, wooden chairs and elaborate centre tables, nephrons, lamps, mirrors, carved doors, arches, lights, centre-pieces, candelabra, and what not. In fact, they have different options to suit different occasions, so that if it is a mehndi that one wants the caterers to provide for, they will do the decor in a traditional manner. As with the other services, their facilities could be acquired directly, or through the wedding planners.           
   Music has also become an integral part of weddings today, especially the mehndi function. Whereas, in the days of yore family and friends used to practice songs for months prior to the wedding, and the tambourine and ‘dhol’ were an intrinsic part of every wedding household, today it is a different scene altogether. DJs are hired for the mehndi function, and dance rehearsals are also held with them, so that they are in the loop of which music to provide for which meticulously choreographed Bollywood dance number. Needless to say, special clothes are stitched for all those participating in the dances so that the visual effect is nothing less than what one sees on the Indian screen.
   As for the wedding function itself, again depending on one’s taste and budget, one could opt for anything between a Bollywood singer flown in from India; a home-grown singer; and a jazz band, to a sarangi player and tabla nawaz for entertaining one’s guests these days.
   Designers too, not to be left behind, have begun to cater either exclusively to wedding wear or devote a good chunk of their time and inventory to the production of these luxuriant ensembles. Costing anywhere between Rs 60,000 to eight lacs depending on the design label and the intricacy of the work, these bridal outfits are one-of-a-kind and probably worn just once in the bride’s lifetime, too.
   According to Rizwan Beyg, how heavily a bridal jora is worked depends primarily on family budgets, rather than on trends. If there is only one major function held, then the ensemble tends to be heavy, whereas, if there are quite a few occasions, then the bride could get away with wearing relatively light joras on some of the events.
   There are some designers, though, who are now making bridal wear that are somewhat trendy, and made in a style that can give the bride maximum wear later. A case in point is SanaSafinaz, whose current bridal range includes “Long, Mughlai coats worn over ghagras boasting lengthy trails, and accompanied with long dupattas.” Says Sana “The ensemble makes a strong statement, and we have been adhering to simple, non-fussy cuts. Their advantage is they are relatively reasonable and one can get wear out of them later, by donning the coats with trousers.”
   Although no shoe designers have sprung up that cater exclusively to bridal footwear, there are a number of ladies now who make ornate and stone-studded footwear ideal for weddings, and take orders as well. The advantage of the latter is that not only are the shoes custom-made, making them more comfortable than what is available off the rack, the pair becomes exclusive, as often they are made in the bride’s desired combination.
   Many jewellers are also now doing bridal jewellery in keeping with the demands of the times. Gone are the elaborate full gold sets of yore. The jewellery now matches the clothes of the bride, and complete matching sets are no longer in vogue. According to Kamal of Nauratan Jewellers “Brides these days are very aware and influenced by designers from the west, so that they want to replicate designs made by Tiffanys, Bulgari, Cartier, etc.”
 As for beauty salons, so lucrative has the business become that you can spot one in practically every corner of a commercial area. Packages for bridal make-up that include a simple hairstyle but don’t include any of the other basics like manicure, pedicure and waxing, could go up to Rs 25000. Every renowned beautician has a signature style that is the reason for her fame, and depending on whether a bride wants to sport an eastern or western look, and of course the budget, one or the other make-up artiste is preferred.  
   According to make-up artist Shamaine “Doing a bride these days is a lot of fun as there is so much innovation in clothes and jewellery, leaving a lot of scope for the make-up artist to display their talent.”
  Another aspect that has become an integral part of weddings today is portrait photography. While any half-way talented photographer with a decent pair of lens used to suffice in the good ol’ days for taking pictures of the family and guests present at a wedding, these days the bride and groom shop for designer photographers who can take creative portrait shoots of the couple, either in their own studio or wherever the couple so desire. Hence, there are various photography packages now on offer which include a certain number of portraits, event photographs, albums, blow-ups and video coverage. It goes without saying that the cost of the package goes into thousands, and varies as much with the name of the photographer/studio as with the number of days and photographs desired.
   While many may think it is sheer extravagance to waste so much money on decor and pomp, not to mention clothes and make-up just for a few hours, one must admit that today’s weddings have given rise to an industry of sorts, creating employment for a large number of people now involved in catering to the burgeoning needs of elaborate weddings. And although, undoubtedly, the higher end of the spectrum providing such services is beyond the budget of a vast number of people, there are now so many affordable counterparts available in every category of service, that one can cut corners and still manage to have a stylish wedding.

Box One

What’s in this season –tips from experts


   Even when a wedding household decides to go with a wedding planner, and hands over all the arrangements of the various functions to them, they normally prefer to tackle the other aspects – such as designers, jewellers and make-up artists, themselves. However, often, even though brides-to-be are armed with information about which designers, jewellers and make-up artists they should patronize, they have little or no clue as to what they should actually get – and are only obsessed with the fact that they should look great. Since they aren’t really sure of what’s in and what’s out, they don’t have any idea what brief to give the designer, for instance, and similarly, are unsure of the kind of make-up they should go for.
   So, here are a few tips from experts for the brides-to-be this season. Recommends Sana Hashwani, the indispensable half of the SanaSafinaz duo “Go for colourful attires as colour is in this season. Bright and citrus hues have become popular abroad, and the trend has caught on here as well. Thanks to air-conditioned tents, wearing of strong, bright colours in the heat of October, which was once unthinkable, has now become possible.”
    Among the colours that style guru Rizwan Beyg suggests for this season are “Kashmiri pink, which is the new red now, as it looks good with diamonds as well; soft ferozis, and oyster pinks.”                     With regard to make-up, Shamaine says “Gold is very in this season. Make-up should be neither too light, nor too dark. Soft colours are in as are smoky eyes, while soft pink cheeks are the rage. As for hair styles, it is better to have the hair up in a bun, away from the face.”
   Seema of Ravissant Beauty Parlour concurs with Shamaine’s view that
the smoky look is in, but adds that shimmer is also in great demand this season. Says Seema “Reds and maroons are still popular with brides, as always, but the mat look has gone. There is a lot of concentration on the eyes, which are now very smoky, with a kohled look, while pale lips are sought. By and large, a natural look is fashionable, regardless of whether the wedding is in summer or winter. Hence, cakey bases are totally out. As for hairstyles, normally the front half is tied up, with very little back-combing. Loops are normally preferred when putting up the hair, rather than anything elaborate.”
   While seconding the opinion that a natural look is still very much
in, Rukhsana Tabani of Cistres, adds that translucence is the name of
the game these days. She adds “A dolled-up look is totally out and heavy foundation is avoided these days.” Also of the opinion that eyes are more heavily kohled nowadays, and the eye-lined look of the ’60s and ’70s has come back, Rukhsana says that the translucent look prevails for the lips as well, even though they have colour.
   Says Mussarat Misbah of Depilex “Pinks and peaches on the face are very popular and bronzers are totally out. False eye-lashes are a complete no-no, although eyes are the main focus of bridal make-up; and kohls and brown shades on the eyes are the rage. Eyebrows are very defined now, with maybe even a little colour added to them.”
   With regard to hairstyle, Mussarat opines a simple French knot is in, so that it can hold the weight of the dupatta, and the hair doesn’t get into the eyes.  
   As for jewellery, modern looking half-sets are popular these days. Today’s bridal jewellery is neither too light, nor too
heavy. According to Kamal of Nauratan jewelers “Those who want to go for ‘jhumars’ and ‘teekas’ these days, do so only to either return them after the wedding, or to exchange them with some other more practical jewellery. In fact, many don’t bother to invest in them at all and wear artificial ‘jhumars’ and ‘teekas’.”
   Kamal says sets with filigree work and stones are very in
these days; the stones comprise relatively neutral coloured gems such as aquamarine, peridot and polki which could be worn with almost any outfit.” Full sets are no longer worn, and long earrings are in, worn with necklaces, while matching rings and bracelets are avoided. Instead, plain bangles are fashionable.
  Another interesting trend in bridal jewellery that Shehrezad
Rahimtoola mentions is that of detachable necklaces, so that they can
later be worn in three or four different ways. Says she “What is in now are diamond chains, which can later be worn on their own, while the centrepiece can be worn separately on an ordinary chain. Similarly, stones are interchangeable in sets nowadays.”
   Among the stones that are popular for bridal jewellery, according to
Shehrezad, are brandy topaz, diamonds, green amethyst, rubies,
aquamarine, pink tourmaline and emeralds. “The gold look,” she says, is
totally out, as is “mom’s jewellery, and rhodium polish is being given to gold sets, to give it a white look.” She advises “Don’t match the stones with your clothes. Instead, play with colours so that they stand out, rather than blend in with your attire. So, if you are planning to wear off-white, don’t wear it with pearls, use emeralds instead. If you are planning on wearing red, use pink tourmaline instead of red rubies.”
   So, if you are making wedding plans, don’t forget to pick up a leaf
from the diaries of these experts. You won’t go wrong, and will be able
to face your D-Day with confidence!  



         

The Dos and Don’ts in organizing a wedding:

1)Start drawing up a list of invitees as soon as the wedding date
is finalized and keep adding on whatever names you recall as you go
along. It is always easy to eliminate later, but initial effort should be made not to forget anyone.

2) Give yourself plenty of time for distribution of cards so that
overseas invitees can receive their cards well in time. It doesn’t matter if they are not going to attend, the fact that you thought of them will be appreciated.

3) Maintain a diary that remains with you at all times. It should contain contacts of all people you are likely to use at the wedding time – event managers, photographers, make-up artists, designers, caterers, and so on; a list of To-do things and their up-dated status as time passes; a list of clothes given to the various tailors/designers/karigars and their status; and a list of gifts, their budget and their status.

4) Keep your house well-stocked with tit-bits, frozen food items and
squashes/soft drinks to serve a constant stream of drop-by visitors.
Don’t forget a stock of mineral water bottles for overseas guests, and
also ensure that you have enough bedding, toiletries, crockery and
cutlery to cater to the needs of your live-in guests.

 5) Don’t take it for granted that once a venue has been confirmed,
it stands confirmed, especially if the booking has been done way in
advance. Keep following up to check that the booking has not been
cancelled.

6) Never give the correct date to the designers. Always give
yourself a margin of at least a fortnight, for they will NOT deliver on
the scheduled date.

7) Make sure you get your fittings and trials done at least two to three weeks ahead of the scheduled date, and then try the kameez again just a few days before the wedding, as brides-to-be tend to lose weight. Also, try on your jewellery with your jora to see the effect. Sometimes brides realize at the last minute that the necklace string is too short or too long, or that the jewellery is not complementing the outfit.
    
8) Double-check with the make-up artiste the number of appointments
of brides on the date of your booking, and if the parlour has a standby
generator in working order.

9) Make sure that the sound system/band/singer you hire for your
events is in no doubt of the date of the event.

   


Wednesday 17 June 2015

Harrowing experience with Emirates Airline

I would just like to record my disgust and dismay at the way Emirates has handled my case recently. I took a one-and-a-half hour direct flight to Dubai from Karachi four days ago and found that I had not only arrived without my luggage on this short direct flight, but that Emirates was unable to trace my luggage or send it to me on any one of its numerous fights in the next three days. I was on a business trip and landed without my papers, clothes, chargers for mobiles and laptop, toiletries, medicines, etc. To top it all most of the Emirates staff I spoke to after being put on hold for hours on end each time, were rude and unapologetic. After going through extreme stress, incurring untold expenses and mucking up my trip that ought to have been a tension-free, successful conference, I finally received my bags, three days later, yesterday early morning when I was due to fly back to Karachi in the afternoon. You would think that the airline would be abashed by this complete display of incompetence and negligence and would have tried to make amends by offering to upgrade me at the very least, and reimbursing me for all my expenses incurred. Instead, I was told that I would be given a measely $50 a day for my expenses. However, when I reached the airport, I was informed that  I would not even be given that and would be paid the princely sum of $50 for the entire three day period. After I put my foot down and refused to settle for it, they first offered me $100 and then finally grudgingly, $150 which they converted into 550 dirhams. Had all this unprofessional behaviour and lack of customer service been shown by PIA,  I would have perhaps understood but I can't get over the fact that this disgusting display was by an airline supposed to be one of the best to travel with, and one of the most expensive I may add. It seems the airline has really gone down the drain; perhaps it has so much business now that it really doesn't care for its customer's satisfaction.