Wednesday, 24 May 2023

 Karachi celebrates culture and heritage

By Shanaz Ramzi

 Published in Humsafar in 2002

 

   In recent years, Pakistan’s most vibrant and alive city, Karachi, had been so ravaged by strife and riots that Karachiites had forgotten what it was to move about freely without fearing for one’s life. Social and cultural events had come almost to a standstill, with only pockets of activities taking place in exclusive surroundings, restricted to the enjoyment of a select few. With the objective of once again infusing life into the city and empowering it socially, culturally and economically, a group of professionals got together under the banner of KaravanKarachi two years ago and spearheaded a number of cultural activities. With most events held in the open on the streets and as accessible to the general public as to the elite, KaravanKarachi went a long way in bringing a semblance of normalcy into the lives of beleaguered Karachiites.

   Last year, with the broader perspective of trying to promote peace in the city and cohesion in the province KaravanKarachi began working under the motto of ‘My Karachi; City of Quaid, City of Peace’ and launched its first event for this year – a mega sea carnival parade the likes of which has never been witnessed by the city before. With thousands of people participating in the festival’s many activities and scores of people attending it, the one happy phenomenon that marked the occasion was the carefree atmosphere in which people from every strata of society mingled with one another, enjoying the day’s festivities.

   The other unique aspect of the event was that although it was masterminded by a handful of organisers, people from across the spectrum of Karachi’s citizens adopted it with the same spirit and gusto. Be it academe, representatives of commerce and industry or the public sector, all pitched in to make the carnival a resounding success. It was probably for the first time in Pakistan’s history that various government departments, districts of Sindh and the towns of Karachi joined hands with ordinary citizens to ensure that the event becomes a memorable one.

   And an unforgettable event it undoubtedly was, with something to suit everyone’s tastes. With one of Karachi’s beautiful beaches forming the backdrop to the parade, it was for the first time that an event of such magnitude had been arranged on the beachfront, blocking traffic along a good portion of its length and allowing pedestrians a field day on the main thoroughfare.

   As a preliminary to the main event, more than 3500 school children representing over 300 government, private and special schools had painted murals on canvas on the theme ‘My Karachi’. Placed together, the mega mural, extending over a kilometer in length, was stretched along the seaside wall at Beach Avenue (popularly known as Sea View) the venue for the carnival. Welcoming all visitors, the mural was the first project of its kind to be undertaken on such a grand scale by schoolchildren in any city of Pakistan and artistically portrayed the youngsters’ vision of their city.

   Among the major attractions on offer were the 150 or so stalls that lined the two-kilometer stretch of service road overlooking the Sea View apartments, offering a wide array of food, handicrafts, games and commercial products. Many government departments had also taken the opportunity to set up stalls highlighting their achievements and progress and publicizing the facilities offered by them. The most popular of the stalls, though were the ones from the various districts of Sindh –such as Khairpur, Nawabshah, Sanghar, Shikarpur, Badin, Naushero Feroz, Thatta, Mirpurkhas and Sukkur -- displaying and selling their quaint indigenous crafts and products.

   In order to ensure that there was never a dull moment, no matter which part of the strip one was at, six stages had been set up at intervals between stalls with different performances taking place on them. In fact, most stages had two different sets of performances, so that in the earlier part of the day, for the benefit of children attending the carnival particularly, there were performances by school kids, and later in the evening pop groups entertained the crowds.

   In keeping with the spirit of imbibing pride in our roots, each stage had been named after an old part of the city. Manora featured private school performances followed by presentations of visiting artists from various districts; Manghopir hosted special school performances followed by street theatre; Keamari had government schools followed by pop groups; Mithadar witnessed martial arts followed by a muppets show; while Kolachi and Kharadar saw children from the audience airing their views on Pakistan and a puppet show respectively.   

   As soon as the chief guests of the occasion – the governor of Sindh, Ishrat-ul-Ebad and chief minister Sindh, Ali Muhammed Maher – arrived, they were accompanied by Yasmeen Lari, chairperson of KaravanKarachi, on a horse-carriage for a tour of the mural, stages and stalls. Hordes of surprised people gathered on either side of the buggy could be seen waving to them frantically for it is a rare sight in Karachi to see dignitaries at such close quarters. More accustomed to spotting them ensconced in cars with tinted windows, whizzing pass the general public, it was another treat to see them alighting onto the main stage, in full view from all sides.

   The main stage had been erected on the opposite side of the strip, halfway down the length of the parade area with the beach as its backdrop. The formal proceedings of the evening, comprising tilawat, national anthem and three brief speeches, culminated with the release of pigeons to symbolize the desire for peace in the city. Then the much-awaited parade began. Led by the highly professional navy and Sindh police bands the colourful parade included various government, private and special school bands, ethnic dancers and musicians, police acrobats, sports cars and unique cultural and historical floats.

   The floats were of course the most charming part of the parade leaving the audiences completely enthralled. To begin with, the floral floats by the garden department of the city district government -- with a little girl cocooned within one of its massive flower arrangements -- were an instant hit with the public. Also fascinating were the 1936 fire engine and the KMC building model made of solid teak, both provided by the city district government.

   Among the cultural floats the ones brought by the various towns of Karachi and districts of Sindh with folk artists and artisans on board, proved to be highly popular. The floats that immediately come to mind are that of Mirpurkhas, with snake charmers displaying their skills and performing the traditional ‘sapera’ dance led by dancers in peacock costumes, and the Lyari Township floats with their ever-lithe young and old dancing gracefully. Khairpur’s floats decorated with historic buildings, brought to life by folk dancers were also very appreciated.

   The KaravanKarachi float decorated with props of heritage buildings, and that of Government Boys’ Secondary School projecting a fire station with children looking out its various windows, received much applause. Just as fascinating were the police acrobatic motorcyclists and the demo of Rahnuma 915 by the traffic police. Bringing up the rear of the parade, the traffic police on motorbikes marked the signal for the next item on the agenda – the impressive commando demonstration by the anti-terrorist training center, Razzakabad. With containers stacked to a height of 50ft to give the semblance of a building, the commandos enacted a mock display of a hostage rescue operation from a multi-story building specially constructed for the event, after receiving a call from Madadgar – 15.

   Hardly had the crowds finished cheering the commandoes as they made their descent from the building with hostages clinging on to their necks that the next item of entertainment commenced on the beach. Again organized by the Sindh police, the multitudes witnessed a rare presentation of martial art skills, armed motorcycle patrolling and the Madadgar 15 shooting.

   As a finale to the festival, there was a magnificent display of fireworks courtesy the Sindh police. One must admit that the carnival went a long way in building the image of the Sindh police, for it was for the first time that the public could relate to their activities. In fact, so touched were the hordes of people present by the efforts of the organizers to project all the positive work taking place in the province and provide clean, free and unadulterated entertainment for citizens hailing from every strata of society that some actually came up on the main stage to express their gratitude.

   Both the governor and the chief minister expressed the desire to make the Karavan SeaKarnival Parade an annual feature so that people from all over Pakistan and abroad could visit Karachi during the festival month and join in the celebrations on a regular basis. One hopes that this carnival will mark the beginning of many such programmes in the city celebrating its multi-dimensional aspects. Who knows, if such events become the norm, Karachi may soon become a viable tourist destination.



Click on the link to watch the documentary on KaravanKarachi written and narrated by Shanaz Ramzi:

https://youtu.be/HPZkcMah_rQ


Saturday, 18 September 2021

 For Beauty and Tranquility – within and without!



A few days ago I was invited to an Ikebana exhibition by the Sogetsu School to cover it for my blog. The exhibition was organized at Rosy’s Salon, and was followed by a talk by the beautician, or rather a question and answers session, where eager ladies of all ages showered her with their queries, and she patiently answered each.


But to get back to the subject at hand – the Ikebana exhibits. Although there were only 12 pieces on display, what needs to be commended is not just the creativity of these ladies, but their enthusiasm, commitment and determination to carry on their exhibitions and activities in spite of the pandemic scare. With most of the members who were exhibiting -- nine are teachers as well -- on the wrong side of 60, they had diligently and artistically managed to arrange their displays spread over three areas – the reception, entrance foyer and parlour – maintaining adequate space between each arrangement. They had also kept the Q and A outdoors, everyone religiously wearing their masks throughout the programme.


So, the first exhibit, created by Perin Mooraj, was at the reception area, a profusion of purple and mauve chrysanthemums arranged in two polished wicker baskets, with babies’ breath, wild grass and twigs artistically arranged, connecting the two containers. As you walked into the foyer, there were two other beautiful arrangements on the floor – one by Nayyer Arshad and the other by Nishat Alvi. While Nayyer’s was a simple display of spray-painted babies’ breath, purple statis, face palm, foliage and twigs in a large earthenware vase, the other was an elaborate arrangement basically made with spray-painted babies’ breath, tall twigs and foliage. It made one marvel at what imagination and creativity can produce, even with the simplest of tools.


Once you entered the main parlour, the remaining nine arrangements greeted you, mostly interspersed on table tops and counters between chairs for servicing clients, adding to the aesthetic environment of the space, and maintaining safe distances between arrangements so that clients or visitors are not placed at risk. The fourth arrangement, displayed in a shallow green ceramic container, was by Shirin Poonawala comprising yellow chrysanthemums offset by dark green foliage and the branch of a tree. 


The next arrangement, by Tarannum Lakda, was one of the larger displays, comprising orange gladiolas, white chrysanthemums leaves and twigs, arranged within a bamboo frame, giving it a picturesque touch.


My personal favourite, as much for the innovative design of the container used as for the simplicity and artistic use of the plants, was the one arranged by Saman Hasan. She had arranged wheat stalks, yellow chrysanthemums, leaves and asparagus in a white bag-shaped vase which was eye-catching, and most fetching. 


Madiha Taha’s arrangement comprising basically mauve chrysanthemums and leaves had been done in a rectangular container, the arrangement divided into two parts, and then unified by twigs and leaves.



Another simple and elegant arrangement was by director of Karachi Sogetsu Study Group, Shahina Zuberi. A combination of statis, pink lilies and areca palm leaves, the arrangement in the vase was given further character by bamboo sticks propped against the vase.


I loved Nafisa Baig’s arrangement too, done in painted hollow bamboos. She had managed to put together bright orange Asiatic lilies, yellow chrysanthemums, babies’ breath, and leaves artfully shaped by hand into an indisputably attractive display.


Rubina Faiz’s arrangement with white gladiolas, money plant, babies’ breath and twigs done in and across two tiny containers was another artistic display. However, the arrangement that warrants special mention was the one done in a hand-made improvised dried leaf ‘basket’ rather than in a purchased container, by Nazli Baig. With the basket an intrinsic part of the arrangement, the display also incorporated white chrysanthemums, babies’ breath, bamboo sticks and money plant. 


Perhaps the largest and most elaborate arrangement was the last, by Nuzhat Jamali.  Arranged in a steel frame, the pink and purple chrysanthemums, babies’ breath, ferns, areca palm leaves, painted dried leaves and dried twigs made for a fetching display.


All I know is after seeing all these creative pieces, some using barely any flowers, I feel quite remorseful that I have never bothered to go the extra mile and arrange the many beautiful flowers I received as presents, into artistic displays. No longer will I be content just depositing them in vases and enjoying their beauty and perfume!













Wednesday, 1 September 2021

 Destination Pakistan – or not?

By Shanaz Ramzi

 

 

As the convener for FPCCI’s Central Standing Committee on Tourism Development 2020, and an ardent advocate of promoting local tourism, I availed the opportunity recently to visit parts of our northern areas, particularly as my committee has been working diligently on presenting the government with working papers on how we can promote local tourism all across the country so that economy thrives, jobs are created and while we ensure our people have beautiful locales to visit, the environment is also protected and benefits from it.

 

Can you then imagine my shock when the places I chose to ‘check out’ – which I had heard people rave about for decades, but had not had the opportunity to visit – turned out to be major disappointments! Our party had decided on Shogran, Batakundi, Naran, Kaghan, Saiful Muluk, and finally Hunza for our trip, and my husband and I had decided that we would accompany them up till Saiful Muluk and then return as we didn’t want to be away for too long.

 

So, flying into Islamabad, my husband and I rented a four-wheeler and drove up till Mansehra check post where we met up with the others who had driven from Karachi and Lahore. The motorway was of course, everything people say it is – a fantastic drive complete with two highly impressive tunnels at Abbottabad – but the one thing sorely missing en route, right up till Mansehra, which was at an-hour-and-a-half drive from Islamabad, was washrooms. I was quite surprised that there were none on the way as I had heard that the Punjab government had made some state-of-the-art ones off the motorway, which one could use at a payment of rupees 50 per person. We ultimately landing up using the bathrooms in the accommodations for the people manning the toll gate!

 

Driving for another two hours till we reached Balakot check post, the gateway to Kaghan Valley, we waited for the rest of our party to catch up. I had heard so much about the beauty of Kaghan Valley and its green hills and thick forests that the relatively uninspiring landscape and mountains shorn of trees that we passed came as quite a shock. 

 

Stopping only to take pictures at the raging Kunhar River, the 166 km river that originates at Lake Lulusar, and is the main feature of Kaghan Valley we spotted signages announcing fresh trout available along its banks and passed a number of restaurants that served just trout.

 

The road all the way had been perfect and in another 45 minutes we reached the town of Kawai. Nothing prepared us for the trek that awaited us thereafter, to our hotel in Shogran, allegedly one of the most beautiful plateaus in the valley. The one-hour drive to our hotel – Cedar Wood Resort -- from Kawai was via a narrow, steep, winding, uneven, rocky track that is only recommended if you are in a four-wheeler. The good news is that all the hotel owners – yes, all hotels in Shogran are only accessible via this track – realise this and have kept a parking spot at Kawai, at the foot of this path, for those adventurous tourists who may have set out to explore the northern areas in a sedan rather than a SUV. So, you can park below and then take the hotel jeep up to the hotel.

 

After what seemed to be an unending 45 minutes, we finally reached our hotel – an aesthetically beautiful resort boasting a profusion of seasonal flowers and attractive landscape. That’s where its merits ended. I wish the owners had spent as much time on the maintenance of their establishment and on providing the basic amenities that any seasoned traveler looks for, as they had done on beautifying the place, for the bathrooms were a disaster – majority of the flushes of the WCs were not working, and the so-called ‘cleaned’ bathrooms were a mess. The staff had literally hosed down the bathroom after the rooms’ occupants had left – toilet roll, soaps, et al -- and then left them wet for the next set of guests to check in. To make matters worse, there was no running hot water, and even in the peak of summer it was too cold to take a shower. Obviously trained staff and quality service was not their strength, which is such a shame as the ‘resort’ could be a delight if they would just spruce up their act a bit. The establishment is apparently on its way to setting up a chair lift so obviously not having funds to invest in its upkeep is not a problem, but having a different set of priorities is.

 

Our initial plan had been to stay at Shogran for three nights and to do day trips to all the nearby touristy areas, but having done the trek up to the hotel once, we were in no mood to do it on a daily basis. Hence, we checked out and made our way towards Naran, where we had tentative bookings for another hotel. 

 

En route we stopped at Trout Park Fish Point and Restaurant for lunch – a treat we had been dreaming about since the day before! With clear streams gushing forth and charpoys laid out over running water where one could sit and dip one’s feet in its icy cold temperatures, while partaking of delectable fried trout, the wayside eatery was a refreshing stop in more ways than one. The brown trout from Kunhar River and rainbow farm trout fried in fresh masala prepared by the cooks, were devoured in no time, as was the karhai chicken, and mash daal.

 

Naran turned out to be so crowded – it was a weekend that day – and so congested with hotels literally stuck to one another that we panicked that this could just be a hotbed for another pandemic. So, we decided to drive to Batakundi instead, which proved to be the best decision we could have taken. 

 

The isolated Pine Top hotel overlooking magnificent views of Kaghan’s Valley’s highest peaks, was unoccupied, so we had the entire resort to ourselves. The chalets, each comprising two rooms with clean, attached bathrooms, kitchen and a sitting room were just what the doctor ordered, and the cool, low temperatures was the icing on the cake.

 

The next morning after breakfast we left for Naran and couldn’t believe it was the same town we had passed through the day before. Practically desolate now, as it was a working day, we booked jeeps from there to take us up to Lake Saiful Muluk. Although private SUVs could also do the trek – and we did pass some on the way – they are discouraged by the locals, both because they want the jeep mafia to thrive, since it is their only source of livelihood, and because parts of the terrain are really treacherous and do require local expertise. It involves around 45 minutes of bumpy riding that is akin to a roller-coaster ride, but less smooth, and crosses a massive glacier on the way, the track in front of which is eroded, water-filled, and difficult to traverse. On our way back, we actually witnessed a jeep that had got stuck there and had to turn back. When we did the trip, there were all of 50 jeeps, if that, but we were told that at the peak of the tourist season there are an average of 1500 jeeps doing the trek, and a long queue plying the narrow path.

 

Located at 10,500 ft above sea level Lake Saiful Muluk is described by one travel magazine that I had consulted before embarking on the journey, in the following words: ‘No trip to Kaghan valley is complete without a visit to the legendary Lake Saiful Muluk. Words cannot describe the beauty and serenity of the setting and picture postcards do no justice. The crystalline waters of Lake Saiful Muluk reflecting the surrounding snow-peaked mountains is an image that must be seen in person’. Obviously, when we took up the challenge of undertaking this trek, we had this vision in mind. 

 

What we saw as soon as we arrived at the parking area for the jeeps, was a garbage dump. Passing it, we climbed down a steep path and found ourselves flanked on both sides by shabby stalls selling pakoray, tea, toys and what not, beyond which was a lake. That was our first impression of Lake Saiful Muluk. Kicking ourselves that we had tortured our backs undertaking this horrendous journey for this anti-climax of a vision, we decided to make the best of a bad bargain, and went down to the lake, which left those among us who had seen it ten years ago, just as depressed, as they felt its level had gone down considerably and it no longer looked as impressive as it once did. 

 

Since the lake had a little barrage of sorts that allowed the water to collect in a stream flanked by rocky formations, we climbed down further to take some pics. With our moods slightly improved, we sat down to hear the story of Saiful Muluk from the baba that is always looking for an audience. As the legend goes, the lake is named after Prince Sauful Muluk who fell in love with a fairy princess from the mountains here. She had been kept captive by a white giant and he helps her to escape with him. According to the legend they live to this date in a cave near the lake. The old man tells the tale in Pushtu and is happy to take whatever you give him for his efforts, as indeed are a lot of other locals who hound you for the same.

 

 We then decided to take boat ride of the lake since there was nothing else to do, instead of going back so soon after arriving. It was a good thing we did, because when you move away from the filth all around you and reach the centre of the lake, you do eventually see what all the fuss is about. Surrounded by impressive snow-clad mountains, crowned by the summit of Malika Parbat (Queen of the Mountains), the view is undoubtedly picturesque when seen from a point where there are no nearby eye-sores to ruin the view. 

 

Our boat owner took us across the lake where we were allowed a ten-minute stop to get off and slide down a glacier. Would you believe what we saw there, among other things – a dirty pamper! And this at a time when tourists had still not started coming in their regular numbers thanks to Covid-19! To the credit of the authorities, there were dustbins everywhere at Lake Saiful Muluk entreating humans to behave like animals who do not throw rubbish everywhere like humans do, but of course, our merry-making public who want to have a good time in natural, scenic environs are not pushed about leaving the place worthy of visiting even a second time! 

 

My earnest suggestion to the authorities would be to hire uniformed locals who have been trained in keeping touristy places clean, and to empower them to heavily fine littering visitors. That is the only way to ensure that these places remain tourist attractions. What’s more, vendors should not be allowed to set up stalls at their whims. There should be proper SOPs, like anywhere in the developed world, and stalls should be catering to the various needs of tourists rather than just proliferating rampantly and adding to the mess.

 

On our drive down, some of us got off to take pictures under the massive glacier – a rare treat indeed -- and then we headed back to Naran. After a scrumptious lunch at Afaq hotel we went off for a walk along the only main road that Naran boasts of, from where we bought dried fruit and had matka chai. For those who have not tried it, this is a must – especially the Kashmiri chai served in the earthenware glass.

 

Exhausted, we went back to our hotel to call it an early night, as the next day we were leaving back for Islamabad, while those who were travelling by road were going further up to Hunza. I came back with the sorry realization that we have so much to offer in terms of tourism but so much more that we have to set right before it can develop into a full-fledged industry. 

 

 

Friday, 27 August 2021

Pakistan’s Treasure Trove By Shanaz Ramzi

  

Pakistan’s Treasure Trove

By Shanaz Ramzi

 

Did you know the word jewel comes from the Arabic word laal? Rubies are the laals of ancient times, and when they appear in big sizes, are the most expensive jewels in the world. 

   

Pakistan has the fifth largest reservoir of gemstones in the world some of which, including rubies, have brought the country into prominence in the minerals and gems industry. Among the other gems that have been mined in the country are peridot, aquamarine, topaz (various colours: violet and pink, golden and champagne), emerald, sapphire, jade, rare-earth minerals bastnaesite and xenotime, sphene, tourmaline, spinel and many varieties and types of quartz including amethyst. Lapis lazuli, and some ornamental stones have also been found. 

 

The most important gems of Pakistan though, are emerald from Swat Valley and ruby from Hunza ValleyAlso notable are pink topaz from Katlang near Mardan, a city north of Peshawar, and aquamarine from Dassu near Slzardu, the capital of Baltistan Province. 

Sadly, with so much wealth, the gem industry of Pakistan is still in its infancy and contributes less than one per cent to the national product. Although the country exports gemstones worth at least $3.7 billion annually, the potential of Pakistan’s gemstone industry is huge when it comes to adding to the country’s economy. Pakistan has the potential to export 800,000 carat ruby, 87,000 carat emerald and five million carat peridot annually. Why then, is our gem industry in such a grim position? To discover the truth, one must take a look at Pakistan’s mining history.

 

History of gems mining in Pakistan

 

Although relics of the Gandhara and Indus civilisations excavated in what is now Pakistan bear estimony to the importance that the ancient rulers placed on gem stones, post-Partition not much attention had been given to this sector until the late ’70s.

 

In 1958, goatherds found a few green crystals on the slopes of a hill north of Mingora and brought them to their reigning sovereign, Prince Miamgul Jahanzeb. Not recognizing the stones, the prince showed them to some visitors from Bombay, who promptly identified them as emeralds. At once the prince declared the hill forbidden territory and engaged workmen to search the surface for more crystals. It is unlikely that the prince gained much wealth from these amateurish efforts, which continued until Pakistan abolished its feudal system in 1968. For the next several years, mining was placed under the charge of the Industrial Development Corporation of Pakistan. The latter then relinquished this responsibility to the Mineral Development Corporation of Pakistan, which operated the mines though still small in scope, and with little professional guidance - for two more years. In February 1979 the Gemstone Corporation of Pakistan was formed, and immediately began to reorganize mining according to modern principles, with professional engineers and geologists placed on the permanent staff. Its purpose was to effectively explorePakistan’s wealth in minerals and facilitate gemstone mining and business in PakistanIt had some valuable influence but ultimately was liquidated in 1997 and subsequently abandoned. 

 

 

 

 

 

Current Scenario

 

There are two bodies now working for the welfare and growth of this industry in Pakistan: Trade Development Authority of Pakistan (formerly Export Promotion Bureau) and All Pakistan Commercial Exporters Association of Rough & Un-Polished Precious & Semi-precious Stones (APCEA). Most of the emerald, ruby and topaz mines are currently owned by the state. A special permit is required to visit them. However, these mines under government lease, yield hardly anything. It is in fact, the mines operated by non-professional residents in mining areas who mine jewels without any permission, support or guidance from the government, adopting hazardous, traditional methods of mining that actually yield gems, whatever the quality may be. The miners usually form groups and initiate diggings and blastings, dividing any costs that may accrue during the mining period among themselves. Dynamites are still being used for extraction of gemstones in the country owing to which a big percentage of  raw products gets damaged. In fact, so pre-historic are their mining methods that even if the miners are at an altitude of 2,000 metreand have to dig deep down to reach the gemstone reserves, they carry the required heavy machinery themselves, or onmules. The resulting product is therefore often compromised in terms of both quality and quantity. The yield is much less owing to limitations in terms of mining and processing skills and technology. In spite of this sorry state of affairs, some types of gemstones found in the country are regarded as the world’s best owing to their unique features and excellent quality.

 

 

Market for gems

 

Pakistan shares a long and porous border (2430 km) with Afghanistan. This has effectively resulted in a full influx of all types of Afghan minerals into Pakistan, from which they are traded. Aside from Afghanistan, Pakistan is a market for gems from Central Asia as well as from Africa. Many common gems are not found but sold in Pakistan.
   

Pakistan’s northwestern city of Peshawar serves as the first, direct, and only market for all minerals since 1979. Before that, Pakistan’s only port city of Karachi held the market of gem minerals in Pakistan. Following Peshawar’s rise in prominence, Karachi’s significance and role in gem minerals was reduced to that of little significance.

 

Since 1994, the four-day annual Pakistan Gems and Mineral Show has been held in Peshawar with the joint collaboration of TDAP and APCEA, every October. However, the exhibition still has a long way to go before it can attract any potential buyers from abroad. Its few stalls on display do not fulfill any of the requisite needs of experienced buyers from abroad, especially the USA and Europe.

 

Some interesting facts about Pakistani gems 

 

Pakistan's most sought after and expensive gems are emeralds from the Mingora mines where deposits lie in an emerald-bearing belt of rocks bordering the Swat Valley. The small sized gems are the best in colour and lustre in the world and combine best with the larger sizes of gems from the Panjsher Valley in Afghanistan. The best quality gems weighing 10 carats and above could be bought for as much as Rs 10 lacs per carat. Pink topaz from Katlang and aquamarine from Baltistan and Shigar are also in great demand abroad.

Rubies and blue sapphires, the hardest gems after diamonds are even more expensive in large sizes as best quality rubies are rare in big sizes. 

 

Among Pakistans expensive semi-precious gems are rubellite (deep pink and red tourmalines), pink topaz and strong blue aquamarine. These can cost up to 5-10 thousand per carat for the best quality gems.

 

Coral is actually a plant that is found in reefs along Pakistan's coastline. It comes in many colours, red being the most expensive, as well as pink, orange, black, and white. It is a soft gem.


Pigeon blood 
sapphire is found only rarely in Pakistan but are more common from Afghanistan.

 

Good quality quartz varieties of amethyst (purple quartz) and citrine (yellow/orange quartz) are available everywhere in the north and also in Balochistan.

 

Lesser gems are also found in Pakistan like spessartine, a jadeite but not a jade, and fluorite, a soft clear gem that comes in deep and light blue hues, as well as in purple and green sometimes resembling emerald green. These are inexpensive. The cheaper gems are available from Rs100 to Rs 2000 per carat. 

 

Major Gemstone Mining Areas in Pakistan

KP

Swat (Malakand division) – Emerald, various types of quartz, and epidote
Dir (Malakand division) – Corundum and quartz
Mansehra (Hazara division) – Corundum and smoky quartz
Kohistan (Hazara division) – Peridot
Peshawar district (Frontier province) – Quartz with astrophyllite/reibeckite fiber inclusions, xenotime, and bastnaesite

Chilas (Diamer district) – Alluvial diopside, zircon, rutile quartz, aquamarine, and tourmaline
Gilgit,
 Hunza, Aquamarine, topaz (golden and white), emerald (new find), ruby, pollucite,  peridot, rutile quartz, morganite, apatite, spinel, and pargasite
Baltistan,
 Skardu, Shigar, Shengus, Stak Nala and Tormiq Nala Aquamarine, topaz, tourmaline, apatite, sphene, morganite, and quartz
Shigar Baltistan district – Apatite, zoisite, rutile quartz, epidote, and morganite
Childee, Kashmal, and Yuno (Shigar area, near Skardu, Baltistan district) –Aquamarine, emerald-colour tourmaline, apatite, morganite, topaz, and quartz
Hyderabad, Testun, Dassu, Net Tahirabad, and Goyungo (Shigar area, Baltistan district) – Topaz (best golden colour here), aquamarine, tourmaline, morganite, rare earth minerals, apatite, quartz, and new find emerald
Appu Aligund, Fuljo, Braldu, Bashu, and Karma (Baltistan district) – Tourmaline, aquamarine, garnets,
 diopside, ruby, pargasite, emerald, topaz, amethyst, scheelite, and quartz
Khaplu,
 Saltoro near Siachan Glacier area (Ganche area, Baltistan district) – Aquamarine, amethyst, and fine golden rutile quartz


Northern Areas of Pakistan 

Mohmand Agency – Emerald, clinozoisite, sphene, and epidote
Bajaur Agency – Emerald, garnet, and orange-colour scapolite
Khyber Agency – Quartz with astrophyllite/reibeckite fibers inclusions, xenotime, and bastnaesite
North and South Waziristan Agencies – Faden quartz, diamond quartz, phantom quartz, chlorite-included quartz, and window quartz


Bal
ochistan Province

Kharan district – Brookite, anatase, and quartz

Chaman (near Quetta) – Diamond quartz, window quartz, quartz on prehnite-base, and faden quartz included by chlorite

 

Moving Forward

Pakistan has the potential to become a great hub of the gemstone industry, on a scale comparable to that of Brazil, provided it takes a few essential, locally effective steps that could enhance the exploration of resources and growth of business

 

The very first step should be government support for its own people as well as foreigners working in this industry. It must also conduct surveys of the quality of gems available in the country by reputable/foreign-based institutes to attract foreign investors in this sector. 

 

The establishment by Pakistan of Gems and Gemmological Institute in Peshawar in 2001, is an investment that will hopefully bear fruit. Already, in recent years some progress has been made, with the geology of the country now known and mapped in great detail. Also, while predominantly, the hardware used for mining consisted of sledge hammers and metal crowbars, pneumatic drills operated via portable air compressors have now replaced them.

 

Gems are the most condensed form of wealth. They never lose their value like gold. Small fluctuations occur but prices always rise and so are a good and safe investment. International banks even accept jewels as collateral for loans extended. So, if both our private and public sector invest into it wisely, this could become a major cash cow and the boost our country needs, as well as great investment for us as individuals!